My earliest memory is of my parents reading me a story: narrative is my first conscious memory of the world. It’s something I treasure, and I’ve been writing stories since I could write, and telling myself stories since even before that.
About five years ago, one of these stories got serious. I was regularly catching the bus to work at the time – about a ninety-minute bus-ride either way – and I’d spend each of those one hundred and eighty minutes frantically typing away on the small blue Toshiba laptop with the conversations of suburban school children ringing over my head, creating a world, and events within it, and the characters – one in particular – who peopled it. For three hours every day, I’d inhabit that different world, a world taking shape under my fingertips and in the small universe contained by my computer.
Then everything changed. I moved, with my ex, and suddenly didn’t have a wonderfully long commute to work. Writing was something my ex begrudged me – he, not I, was the writer in the family – and it became impossible for me to write in a war-zone. Suddenly, far from having seemingly unlimited time to put into my writing, it became sneakily snatched in small, furtive moments. Attempts to prioritise my writing led to things I still don’t want to think about; the final argument about it led to my computer being smashed and hard copies of my writing torn up, right there in front of me. I put it aside, and resigned myself to the unmourned death of my writer self.
In the two years since Emancipation Day, I’ve occasionally wondered what happened to the main character, the gutsy, strong stranger I’d birthed from within my own mind. I thought about her in the past tense – like an old friend who I’d once known well, but with whom I’d lost contact, and with whom there was no chance of reconnecting. I thought of her with regret, but resignation.
And then, all of a sudden – and travelling seems to be the common denominator here – driving home from work, I found myself thinking of her, not with regretful past tense, but in the present tense. In my mind, she was out in the rain for a run, something she’d always enjoyed, found peace in. In the present tense. Then and there. Suddenly, in the weirdness of my creativity, she was alive again.
I’ve only had that one glance, and I’m a little apprehensive about the process of regaining connection with her – what if that fleeting glimpse, that fragment, is all I’ll get? But if nothing else, her sudden presence in my mind is a reminder of the indomitable nature of my creativity: yet another thing, precious and stalwart, which couldn’t be beaten out of me.
I’m grateful. And, strangely, I’m looking forward to re-acquainting myself with a person who doesn’t actually exist.